- Desensitized Young Man
- Goldfish Bowl
- The Digital as Cultural Lifeblood; or, Why Was THE SECRET AGENT Not Shot on Film?
- Three Years at Sea: A Short Story
- A ROMANCE for the Ages
- Destroy the Family, Destroy the World: GREENLAND 2 Review
- Living with Yourself after Death; or, Why WE BURY THE DEAD
- A Steam Room of Troubles
- Drowning? Enter the Net
- Arctation’s Anxiety: A Short Story
- Is There No End for a DREAMER?
- “Hello, YOU”
- In the DREAMLAND COURT of the Recidivist King
- The Dissolve between Auteur and Actor: The Mimetic Interrogation of Antoine as Truffaut [Revise-it #3]
- The End of the World | Now Streaming
- Epiphany
- LOVE, and What Stays between Us
- The Weave
- Dust Drive
- Body of Water (Wiktionary Rabbit Hole)
- On WAVELENGTH
- Blood Moon Prophecy
- JAWS Essay Outtakes
- It Can’t Be Done
- Letters of Resignation (2/2)
- Two Weeks’ Notice (1/2)
- Riffs and Regurgitations: July–December 2024
- Riffs and Regurgitations: June 2024
- All These Bridges That I’ve Burned and Other Stories
- Middleman
- Out of Many, One; Out of One, Many: JAWS and the Contradiction of the New Hollywood Blockbuster
- Rock Bottom Maxims
- From the Perspective of a Door
- Trying My Darnedest Not to Complain (That Much), in Addition to the Announcement of an Appropriately Ascetic August
- The Biggest Fumble of My Entire Pussygetting Career
- “There’s high ground just beyond that thing”: MAD MAX: FURY ROAD Review
- Riffs and Regurgitations: May 2024
- Riffs and Regurgitations: April 2024
- Dunbridge
- Riffs and Regurgitations: March 2024
- Riffs and Regurgitations: February 2024
- Riffs and Regurgitations: January 2024
- The Neverending Ending of a World of Magic: WONKA Review
- God’s Postmodern Man
- “Is your war finally over?” Toward an Impetus of Care for the Blockbuster: GODZILLA MINUS ONE Review
- New Headphones
- Unemployed (In)activities
- Cristin Tierney Gallery Visit + ‘Three Transitions’ Essay Addendum
- In the Face of Fire: Peter Campus’s Three Transitions, the Self-Portrait Tradition, and the States of the Arts [Revise-it #2]
- White Flight of the Bus Boy
- Polyp Stage
- What’s Your Favorite Word?
- RIP JLG (and Poetry with Punctuation)
- Denouement
- Production Note #8.5: Ain’t It a Shame
- Production Note #8: All Work and No Play Makes Jack a Dull Boy
- You’re Right, I Am Insufferable (Just Like You)
- Production Note #7: Pulling Back the Curtain
- The Future Is Spectre, the Future Is Video [Revise-it #1]
- Production Note #6: “[We] dwell in Possibility”
- I Am Your Body Now
- Production Note #5: Open the Door → Get on the Floor
- Poetry Fragments, Adapted from My Notes (Spring ’23)
- Production Note #4: The Worst Is Done, Onto the Fun
- Production Note #3: Another Long Night, Another Long Take
- Production Note #2: A Necessary DETOUR
- Production Note #1 from the Set of DARK CHAMBER
- Everything That Hangs over My Head
- “I searched for form and land”
- Breadstick Sociology
- Madame Butterfly
- How to Employ the Nostalgia Mode: How to Blow Up a Pipeline (2022) Review
- L’énigme
- To One Who Might Have Borne a Message
- October 17, 2020; 12:16 am
- The Dancer Who Knows a Little about a Lot
- “I’ll take advantage while / You hang me out to dry”
-
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