videophage.com

Digital footprint
(non-indexical index)

7/25/2026

Desensitized Young Man
5/31/2026

Goldfish Bowl
4/30/2026

The Digital as Cultural Lifeblood; or, Why Was THE SECRET AGENT Not Shot on Film?
3/9/2026

Three Years at Sea: A Short Story
2/23/2026

A ROMANCE for the Ages
2/4/2026

Destroy the Family, Destroy the World: GREENLAND 2 Review
1/12/2026

Living with Yourself after Death; or, Why WE BURY THE DEAD
12/23/2025

A Steam Room of Troubles
11/1/2025

Drowning? Enter the Net
9/21/2025

Arctation’s Anxiety: A Short Story
9/17/2025

Is There No End for a DREAMER?
9/6/2025

“Hello, YOU”
8/25/2025

In the DREAMLAND COURT of the Recidivist King
8/18/2025

The Dissolve between Auteur and Actor: The Mimetic Interrogation of Antoine as Truffaut [Revise-it #3]
7/31/2025

The End of the World | Now Streaming
6/19/2025

Epiphany
6/7/2025

LOVE, and What Stays between Us
6/5/2025

The Weave
6/3/2025

Dust Drive
5/31/2025

Body of Water (Wiktionary Rabbit Hole)
4/20/2025

On WAVELENGTH
3/14/2025

Blood Moon Prophecy
2/26/2025

JAWS Essay Outtakes
2/5/2025

It Can’t Be Done
2/2/2025

Letters of Resignation (2/2)
2/1/2025

Two Weeks’ Notice (1/2)
1/30/2025

Riffs and Regurgitations: July–December 2024
12/25/2024

Riffs and Regurgitations: June 2024
12/25/2024

All These Bridges That I’ve Burned and Other Stories
12/25/2024

Middleman
11/2/2024

Out of Many, One; Out of One, Many: JAWS and the Contradiction of the New Hollywood Blockbuster
8/28/2024

Rock Bottom Maxims
8/28/2024

From the Perspective of a Door
7/31/2024

Trying My Darnedest Not to Complain (That Much), in Addition to the Announcement of an Appropriately Ascetic August
6/27/2024

The Biggest Fumble of My Entire Pussygetting Career
6/7/2024

“There’s high ground just beyond that thing”: MAD MAX: FURY ROAD Review
6/7/2024

Riffs and Regurgitations: May 2024
5/31/2024

Riffs and Regurgitations: April 2024
5/25/2024

Dunbridge
4/30/2024

Riffs and Regurgitations: March 2024
3/26/2024

Riffs and Regurgitations: February 2024
2/29/2024

Riffs and Regurgitations: January 2024
1/25/2024

The Neverending Ending of a World of Magic: WONKA Review
1/13/2024

God’s Postmodern Man
12/25/2023

“Is your war finally over?” Toward an Impetus of Care for the Blockbuster: GODZILLA MINUS ONE Review
12/4/2023

New Headphones
11/21/2023

Unemployed (In)activities
11/7/2023

Cristin Tierney Gallery Visit + ‘Three Transitions’ Essay Addendum
11/5/2023

In the Face of Fire: Peter Campus’s Three Transitions, the Self-Portrait Tradition, and the States of the Arts [Revise-it #2]
10/15/2023

White Flight of the Bus Boy
9/29/2023

Polyp Stage
9/14/2023

What’s Your Favorite Word?
9/13/2023

RIP JLG (and Poetry with Punctuation)
8/24/2023

Denouement
7/12/2023

Production Note #8.5: Ain’t It a Shame
7/8/2023

Production Note #8: All Work and No Play Makes Jack a Dull Boy
7/5/2023

You’re Right, I Am Insufferable (Just Like You)
6/27/2023

Production Note #7: Pulling Back the Curtain
6/25/2023

The Future Is Spectre, the Future Is Video [Revise-it #1]
6/18/2023

Production Note #6: “[We] dwell in Possibility”
6/15/2023

I Am Your Body Now
6/15/2023

Production Note #5: Open the Door → Get on the Floor
6/10/2023

Poetry Fragments, Adapted from My Notes (Spring ’23)
6/10/2023

Production Note #4: The Worst Is Done, Onto the Fun
6/9/2023

Production Note #3: Another Long Night, Another Long Take
6/6/2023

Production Note #2: A Necessary DETOUR
6/4/2023

Production Note #1 from the Set of DARK CHAMBER
5/26/2023

Everything That Hangs over My Head
5/24/2023

“I searched for form and land”
5/18/2023

Breadstick Sociology
5/17/2023

Madame Butterfly
5/15/2023

How to Employ the Nostalgia Mode: How to Blow Up a Pipeline (2022) Review
5/3/2023

L’énigme
5/3/2023

To One Who Might Have Borne a Message
5/1/2023

October 17, 2020; 12:16 am
4/29/2023

The Dancer Who Knows a Little about a Lot
4/29/2023

“I’ll take advantage while / You hang me out to dry”