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Digital footprint
(non-indexical index)
Film
4/30/2026
The Digital as Cultural Lifeblood; or, Why Was THE SECRET AGENT Not Shot on Film?
2/23/2026
A ROMANCE for the Ages
2/4/2026
Destroy the Family, Destroy the World: GREENLAND 2 Review
1/12/2026
Living with Yourself after Death; or, Why WE BURY THE DEAD
9/17/2025
Is There No End for a DREAMER?
8/18/2025
The Dissolve between Auteur and Actor: The Mimetic Interrogation of Antoine as Truffaut [Revise-it #3]
7/31/2025
The End of the World | Now Streaming
6/19/2025
Epiphany
6/7/2025
LOVE, and What Stays between Us
4/20/2025
On WAVELENGTH
2/26/2025
JAWS Essay Outtakes
2/5/2025
It Can’t Be Done
2/1/2025
Two Weeks’ Notice (1/2)
1/30/2025
Riffs and Regurgitations: July–December 2024
12/25/2024
Riffs and Regurgitations: June 2024
11/2/2024
Out of Many, One; Out of One, Many: JAWS and the Contradiction of the New Hollywood Blockbuster
6/7/2024
“There’s high ground just beyond that thing”: MAD MAX: FURY ROAD Review
6/7/2024
Riffs and Regurgitations: May 2024
5/31/2024
Riffs and Regurgitations: April 2024
4/30/2024
Riffs and Regurgitations: March 2024
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![The Dissolve between Auteur and Actor: The Mimetic Interrogation of Antoine as Truffaut [Revise-it #3]](https://videophage.com/wp-content/uploads/2025/08/pdvd_115-e1785798507258.jpg?w=408)
