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4/30/2024
Riffs and Regurgitations: March 2024
3/26/2024
Riffs and Regurgitations: February 2024
2/29/2024
Riffs and Regurgitations: January 2024
1/25/2024
The Neverending Ending of a World of Magic: WONKA Review
1/13/2024
God’s Postmodern Man
12/25/2023
“Is your war finally over?” Toward an Impetus of Care for the Blockbuster: GODZILLA MINUS ONE Review
12/4/2023
New Headphones
11/21/2023
Unemployed (In)activities
11/7/2023
Cristin Tierney Gallery Visit + ‘Three Transitions’ Essay Addendum
11/5/2023
In the Face of Fire: Peter Campus’s Three Transitions, the Self-Portrait Tradition, and the States of the Arts [Revise-it #2]
10/15/2023
White Flight of the Bus Boy
9/29/2023
Polyp Stage
9/14/2023
What’s Your Favorite Word?
9/13/2023
RIP JLG (and Poetry with Punctuation)
8/24/2023
Denouement
7/12/2023
Production Note #8.5: Ain’t It a Shame
7/8/2023
Production Note #8: All Work and No Play Makes Jack a Dull Boy
7/5/2023
You’re Right, I Am Insufferable (Just Like You)
6/27/2023
Production Note #7: Pulling Back the Curtain
6/25/2023
The Future Is Spectre, the Future Is Video [Revise-it #1]
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![In the Face of Fire: Peter Campus’s Three Transitions, the Self-Portrait Tradition, and the States of the Arts [Revise-it #2]](https://videophage.com/wp-content/uploads/2023/08/h8gt8a2.gif?w=480)
![The Future Is Spectre, the Future Is Video [Revise-it #1]](https://videophage.com/wp-content/uploads/2023/06/vlcsnap-2021-12-25-21h26m46s010-1518091853-e1695855584665.png?w=720)
